mein lieber schwan das getröte und das evtel. bald gehube geht mir jetzt schon auf den nerv. und vor lauter deutschen fanen an autos und häusern sieht man die welt gar nicht mehr. deshalb hab ich so ne art gegen offensive in dem schwarzrotgold einerlei gestartet. man glaubt es kaum wie groß die augen der leute werden können.

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Johanne am 13 06 2010, 21:13 gehört sich's :)

Birgit am 14 06 2010, 16:58

Du bist echt der Coolste...

Margarita am 15 09 2014, 4:16

Liebe Petra,die Bilder sind klasse! Alle mit soievl Eifer am fotografieren ..herrlich!Ich wfcnsche Dir einen wunderschf6nen Herbsttag ! Allerliebste Grfcdfe Claudia

Nataliy am 16 09 2014, 21:29

Cool photos! I love the red, the pins are rlaley interesting. Glad you participated too, even though it does turn out to be super time consuming haha. Also, thanks for link! [url=]idinzsga[/url] [link=]brdcwr[/link]

AnneMarie am 16 09 2014, 23:54

This seems like a challenging day<a href=""> hoevwer</a> looks like you guys are doing well in keeping up with all the little snags! Nothing like a good bowl of special K to give you the energy you need, too bad you didn't have any bananas!

Nuri am 18 09 2014, 9:49

I can confirm your <a href="">coemnmt</a> .that suggests that HMV had a policy of using the same catalog number as the original on its British pressings of material issued by its foreign subsidiaries.” I found a wonderful reference available for download on the CHARM site (link posted above) The World Encyclopedia of Recorded Music available with supplements as three pdf files. It covers mostly classical recordings issued between 1925 and the early fifties. One of the tables included within a Guide to the main prefixes of major European Companies lists under HMV Scandinavia DB 5200-5299 (Denmark) Obviously that includes the Stockmarr recording DB 5261. Each HMV subsidary was generally given its own unique catalog numbers and when issued in othe countries those numbers were retained. At the risk of being overly pedantic, a couple of <a href="">coemnmt</a>s need some clarification.“in 1920 Victor purchased controlling interest in the Gramophone Co.”Per the book EMI The first 100 years by Peter Martland, in return for a massive injection of capital which HMV needed for expansion after World War I, RCA received 50% of the ordinary stock of HMV and two Victor executives joined the HMV board, one of whom was Eldridge Johnston, founding President of Victor. Incidentally, J.P. Morgan owned or controlled most of British Columbia’s stock by the end of the twenties. Also the same source states that after the merger of HMV and Columbia in 1931 “one of the EMI board’s first acts was to dispose of its shares of American Columbia Graphophone Company to avoid any anti trust investigation of the merger by the Department of Justice in the United States.” In other words, they sold before being forced to sell.